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Films with clips: titles beginning with V

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Vaatleja (Arvo Iho, Soviet Union, 1990)
Vadias Pelo Prazer (Antonio Meliande, Brazil, 1982)
Vagabundo en la lluvia (Carlos Enrique Taboada, Mexico, 1968)
Vargtimmen (Ingmar Bergman, Sweden, 1968)
Varljivo leto '68 (Goran Paskaljevic, Yugoslavia, 1984)

The Deceptive Year of '68 is a nostalgic summery comedy from Yugoslavia about the passive kind of male teenage lechery. It's much in the French style, especially with its nods to politics. Despite a lot of pretty girls and handsome women it's on the bland side with nothing particular to recommend it.

IMDb link

Vechera na khutore bliz Dikanki (Juri Tkachenko, Soviet Union, 1983)
Velluto nero (Brunello Rondi, 1976)

Black Emmanuelle, White Emmanuelle is an Italian production set in Eqypt in the mildly pretentious travelogue vein. It seems to be about a mother (Nieves Navarro) and her two lovely but wayward daughters. There's a mysterious older geezer of the "guru" type, though perhaps he's just the closest they could find to a responsible family member to lumber with keeping the girls out of bother.

The black half of the title is represented by Laura Gemser, the white by the tomboyish Annie Belle. Both are very pretty and thoroughly charming young ladies and you dearly hope they hit it off together, hold hands and giggle, that sort of thing. And indeed they do: behind the closing titles they do something so girlishly delightful you'd gladly have foregone the previous hour and a half just for that half minute.

That's a hint at what's wrong with the film: overall too dull and insipid with little but slow formulaic sexual encounters and no development of character. Which is hardly a surprise.

Laura is paired with a fanatically boorish photographer type who likes to photograph her naked next to the rotting dead bodies of animals and even people. It's a shame this transgressive angle wasn't pushed harder; there's a rather good moment at a "seance" (or whatever) where Laura is covered with blood and threatens to go completely bonkers, but doesn't.

Annie has a sister of the "taunting nympho" variety played by Ziggy Zanger who has a memorable scene playfully lifting her skirt in the desert but contributes little else. There's also some third-party nudity of a predictable kind.

The location photography is decent but suffers from being widescreen, keeping the action static with acres of empty space in the frame. The mellow soundtrack, though not A-grade by Italian standards, fits the theme nicely.

IMDb link

Vení conmigo (Luis Saslavsky, Argentina, 1973)
Venus de fuego (Germán Lorente, Spain, 1978)
Verführung (Peter Hagen, East Germany, 1985)
Viaje al más allá (Sebastián D'Arbó, Spain, 1980)
Viciosas al desnudo (Manuel Esteba, Spain, 1980)
Victòria! 2: La disbauxa del 17 (Antoni Ribas, Spain, 1983)
Vidas Nuas (Ody Fraga, Brazil, 1967)
Vidma (Galina Shigayeva, Soviet Union, 1990)
Viimne reliikvia (Grigori Kromanov, Soviet Union, 1970)
Víkendszerelem (Imre Mihályfi, 1982)

The Weekend System is a TV drama from Hungary starring Vera Pap as a young provocateuse pouncing on a successful married man in a taxi in the rain, and never letting go.

This chap may be greying, but he's still not the needy type, his wife being the more-than-adequate Teri Tordai. He has a cosy retreat in the country and never has to eat in. You could still live well in a Communist country apparently provided you were prepared to accept a rather lower standard of car and television set.

Vera is the slimmest, prettiest and sexiest number a man of a certain age could hope to be accosted by. Nicely dressed (she prefers figure-hugging denim) and with mannerisms that can be both charmingly provocative and innocent. Her tastes aren't as inexpensive as they might have been (vodka and ice cream as opposed to freshly picked daises for instance) but still there's no obvious reason to brush her aside. So too good to be true then. A psycho. Certainty.

There's more than one sexy lady in this short feature, but never mind those, or indeed the plot, it's just a plain hymn to Vera. link

Vincent mit l'âne dans un pré (et s'en vint dans l'autre) (Pierre Zucca, France, 1976)
Violación fatal (León Klimovsky, Spain, 1978)
Violência na Carne (Alfredo Sternheim, Brazil, 1981)
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