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Films with clips: titles beginning with U

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Uccelli d'Italia (Ciro Ippolito, Italy, 1984)
Ujed andjela (Lordan Zafranovic, Yugoslavia, 1984)
Último deseo (León Klimovsky, Spain, 1976)
Ultimo mondo cannibale (Ruggero Deodato, Italy, 1977)

Last Cannibal World is one of the earliest, and perhaps the best, of the notorious wave of Italian cannibal flicks unleashed at the end of the 'seventies. It's Deodato's prelude to the better known Cannibal Holocaust, and is better paced and less obviously sensationalist than its successor.

The start is slow as it is clumsily contrived for Massimo Foschi to be the last of a band of oil prospectors landed by plane in the middle of a Philippine jungle. Things steadily pick up, and his capture by the tribe of cannibals has the impressive 'jungle gothic' atmosphere later seen in Holocaust.

Foschi is carried to a vast cave where the whole tribe spend a lot of time binding and stripping him, then molest his genitals. Instigator of the latter activity is Me Me Lai, maybe convincing as a Y-front-twanger but not quite so much as a cavegirl.

Our man is used naked in weird flying rituals before thrown into a pit to be urinated upon by small boys. In a nod to Wells's Æpyornis Island he has to fight for his scraps of food with a large and vicious sharp-beaked bird. Romance demands he escapes along with Me Me, but that turns out to be just a way-point on his downward spiral to the ultimate state of primitive degradation.

Lechers will be disappointed at the scarcity of female cannibals, but the cumulative impact on the viewer of the endless physical suffering is powerful indeed. Gruelling though they are, some scenes border on the magnificent. Foschi is shockingly good as the centrepiece, and there is a splendidly florid musical score. The weak point is the 2.35:1 'slit-o-vision' cinematography, a terrible choice which leaves most shots either inelgantly cropped or full of emptiness. The effect is especially bad with the spliced-in stock footage.

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Um Marido Contagiante (Carlos Alberto de Souza Barros, Brazil, 1977)
Uma Cama Para Sete Noivas (Raffaele Rossi, Brazil, 1979)
Un jeu brutal (Jean-Claude Brisseau, France, 1983)
Un permiso para ligar (Enrique Guevara, 1980)
Un sussurro nel buio (Marcello Aliprandi, Italy, 1976)
Un urlo dalle tenebre (Franco Lo Cascio, Italy, 1975)
Una bella governante di colore (Luigi Russo, Italy, 1978)
Una donna di notte (Nello Rossati, Italy, 1979)
Una lucertola con la pelle di donna (Lucio Fulci, Italy, 1971)
Una rata en la oscuridad (Alfredo Salazar, Mexico, 1979)
Una spirale di nebbia (Eriprando Visconti, Italy, 1977)
Una vela para el diablo (Eugenio Martín, Spain, 1973)
Und nächstes Jahr am Balaton (Herrmann Zschoche, East Germany, 1984)
Une femme douce (Robert Bresson, France, 1969)
Une rose entre nous (François Ozon, France, 2007)
Unfaithful Wife (Peque Gallaga, Philippines, 1986)
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