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Maria Rosaria Riuzzi
A review and pictures of actress Maria Rosaria Riuzzi naked in "Sorbole... che romagnola".
A middling 'seventies Italian starlet with the screen presence to take on leading roles, though perhaps not up to star quality in sexual allure.
Mr. Skin has a page for Maria - click here for more of her pics & clips!
La moglie vergine (Marino Girolami, Italy, 1975) (as Camilla)
Il tempo degli assassini (Marcello Andrei, Italy, 1975) (as Marisa)
Roma violenta (Marino Girolami, Italy, 1975) (as Daughter of Sartori)
# Sorbole... che romagnola (Alfredo Rizzo, Italy, 1976) (featuring Maria Rosaria Riuzzi as Orietta) ✭ ✭ ✭ ✭ ✭
with Ria De Simone, Massimo Ciavarro, Luciano Pigozzi, Luciana Luppi, Cristina Grado, Milly Corinaldi, Carlo Rizzo, Luca Sportelli, Rina Mascetti, Benise Clara Tundis, Mario Pisu and Giuseppe Zappulla
Typical Italian comedy in which Maria has to seek out a hotel when the coach on which she is a tour guide is stranded on a sight-seeing trip through the Roman countryside. So just like Killer's Moon then, and she is Mrs. Hargreaves. With all the bossy-mooness of that woman, but twenty percent more sex appeal. Perhaps that's unkind, but she seems to be modelling herself on Anne Diamond.
The manager of the hotel is the most notorious voyeur and roving-handed pervert in Italian cinema. I think Maria recognised him; after her dutiful call to her mother to tell her she is "alright" she disrobes for bed with the grim determination that says "come on let's get it over with what's the worst this sad old geezer can do?!". He duly manages to catch her naked and soon has her dashing about the room squealing as if he was a mouse. But the lady doth protest too much, methinks. Any woman who lets herself be chased in heels can't be too serious about getting away, and is unlikely to have any legal recourse afterwards.
It turns out the women of this tiny backwater are exceptionally dowdy, overweight, and disfigured by facial hair. So Maria, reasoning that she's been gifted with superior organisational skills so might as well use them, opens a beauty salon. As trainee masseur she hires a fresh-faced young lad. Though a quiet one, he's a cocky little beggar. He contrives to walk in on the boss naked while "looking for my aunt". They enjoy a nice little banter with Maria stark naked. Ditto a brief session while she tries on an outfit in front of the mirror (a puzzler this one, but presumably beachwear).
Thus far Maria's provocative self-possession has stayed just on the right side of inviting manual strangulation. The young lad by now is reckoning she may be a little too old, but physically she's in very good shape, and wallflowers are boring after a while anyway. So why not invite her for a ride on his motorbike? Though tame compared to what has gone before, it feels good to get out of doors and experience a little wholesome summer romance.
Salon Kitty (Tinto Brass, Italy, 1976)
Mandinga (Mario Pinzauti, Italy, 1976) (as Mary Foster)
La madama (Duccio Tessari, Italy, 1976)
Roma a mano armata (Umberto Lenzi, Italy, 1976) (as Paola)
Il signor Ministro li pretese tutti e subito (Sergio Grieco, Italy, 1977) (as Bettina)
Amore all'arrabbiata (Carlo Veo, Italy, 1977) (as Silvia)
Emanuelle e Françoise (Le sorelline) (Joe D'Amato, Italy, 1977) (as Pamela)
Immagini di un convento (Joe D'Amato, Italy, 1979) (as Sister Giulia)
Liberi armati pericolosi (Romolo Guerrieri, Italy, 1985) (as Friend of Lucio)
Want more? Mr. Skin has a page for Maria - click here for more of her pics & clips!
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