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Reviews and pictures of actress Magda Vásáryová naked in "Pusty dvor", "Tichá radost", "Temné slunce", and 3 more titles.
Born: 1948 Country: Slovakia
A mischievous blonde with a heartwarming smile, Magda has played a relatively small number of parts. Amongst these are prominent roles in some of the most enduring films of the cinema of Czechoslovakia.
Magdaléna Vášáryová (referred also as Magda Vášáryová), (born August 26, 1948, Banská Štiavnica, Slovakia) is a Slovak actress and diplomat, prominent for her liberal anti-nationalist stances. In 1971 she completed her studies at Comenius University in Bratislava. Until 1989 she acted in several Slovak theatres, including Slovak National Theatre and in numerous movies. She was ambassador of Czechoslovakia in Austria (1990–1993) and ambassador of Slovakia in Poland (2000–2005). She was one of the candidates in the 1999 presidential election, but did not advance to the second round of the election. From February 2005 to July 2006 she held the position of State Secretary of the Ministry of Foreign Affairs of Slovakia. In the 2006 parliamentary elections, she was elected to the National Council of the Slovak Republic for Slovak Democratic and Christian Union - Democratic Party. Magdaléna Vášáryová has a fine lyric soprano opera voice. She did her own singing when she played Tatyana in the 1988 film of the opera Eugene Onegin. snippet from Wikipedia
Evropsky manual (Petr Burian, Czech Republic) (as Self)
Marketa Lazarová (Frantisek Vlácil, Czechoslovakia, 1967) (as Marketa Lazarova aged 19)
Zbehovia a pútnici (Juraj Jakubisko, Czechoslovakia, 1968) (as Dominika - Dominika aged 20)
Sladky cas Kalimagdory (Leopold Lahola, Czechoslovakia, 1968) (as Kalimagdora aged 20)
# Krotká (Stanislav Barabas, Czechoslovakia, 1969) (featuring Magda Vásáryová as Krotká - Die Frau aged 21) ✭ ✭ ✭ ✭ ✭
with Ctibor Filcík, Anton Mrvecka, Olga Adamcíková and Hana Slivková
The story, an adaptation from Dostoevsky, of a pretty and innocent young girl wed to a pawnbroker much older and more cynical than herself. When the man treats her more as a doll to be admired and played with than as a woman with a will (albeit a gentle one) of her own she finds the marriage impossibly stifling, and tragedy is inevitable. The same story was directed in his distinctively plain style by Robert Bresson starring Dominique Sanda.
This version, though made for TV, has the strikingly beautiful photography for which Czech cinema was famous. In the first clip Magda progresses from virginal bride-to-be at her fitting for her wedding dress, to young woman in the marriage bed luxuriating alone in the pleasures of her own body. The second clip sees her maturing into the typical respectably-dressed lady of the time. The cloud on the horizon is her husband treating her mildly coquettish undressing as the cabaret (nowadays he'd just look for something online, but I can't help thinking something's been lost in the process). Magda fixes us briefly but steadily in the eye at the beginning, something simple and sexy but disappointingly little seen on film.
La chasse royale (François Leterrier, France, 1969) (as Jeune Marthe aged 21)
# Vtáckovia, siroty a blázni (Juraj Jakubisko, Czechoslovakia, 1969) (featuring Magda Vásáryová as Martha aged 21) ✭ ✭ ✭ ✭ ✭
with Philippe Avron, Jirí Sýkora, Francoise Goldité, Míla Beran, Mikulás Ladizinský, Jana Stehnová and Augustín Kubán
From a typically colourful and lively piece by Slovak maestro Jakubisko. Magda is young and delectable as a crop-haired tomboy orphan adopted by a pair of hippies/lefties/wasters.
There are three scenes run together in the clip. The first is just a bit of horseplay with Magda being body-painted like those hippie chicks you see in the park in the old newsreels. The second sees her cheekily desecrating the sanctity of a church by posing topless in it. Finally she has a love scene in a combination furs/pants outfit which strange as it is I must say really looks good on her.
Na komete (Karel Zeman, Czechoslovakia, 1970) not nude ✘ (as Angelika aged 22)
Radúz a Mahulena (Petr Weigl, Czechoslovakia, 1970) (as Mahulena aged 22)
Hry lásky sálivé (Jirí Krejcík, Czechoslovakia, 1971) (as sluzka aged 23)
Babicka (Antonín Moskalyk, Czechoslovakia, 1971) (as komtesa Hortensie aged 23)
Princ Bajaja (Antonín Kachlík, Czechoslovakia, 1971) (as Slavena aged 23)
...a pozdravuji vlastovky (Jaromil Jires, Czechoslovakia, 1972) (as Maruska Kuderíková aged 24)
Statky zmatky (Milos Pietor, Czechoslovakia, 1973) not nude ✘ (as Zuzka Kamenská aged 25)
Den slnovratu (Jozef Rezucha, Czechoslovakia, 1974) (as Blanka Chodáková aged 26)
Die Wahlverwandtschaften (Siegfried Kühn, East Germany, 1974) (as Ottilie aged 26)
Skrytý pramen (Vladimír Bahna, Czechoslovakia, 1974) (as Mária aged 26)
Straty a nálezy (Stanislav Párnicky, Czechoslovakia, 1975) (aged 27)
Rusalka (Petr Weigl, Czechoslovakia, 1977) (as Rusalka aged 29)
Rozvedená (Marta Gogálová, Czechoslovakia, 1978) (aged 30)
# Pusty dvor (Martin Tapák, Czechoslovakia, 1978) (featuring Magda Vásáryová as Kristina aged 30) ✭ ✭ ✭ ✭ ✭
with Michal Docolomanský, Ivan Krajícek, Eliska Nosálová, Judita Vargová and Július Vasek
Attractive piece of bucolia about people splashing water on each other in pre-war Czechoslovakia. Granted one or two other topics get a look in (such as social unrest), but you had to include stuff like that to get past the Commie commissioning editors back then.
One thing a young man should never start with a young woman is a water fight. The chap here is relying on his superior mechanical understanding to get an edge, that and the fact he and Magda recently eloped together and she's still half playing to lose. But inevitably she'll wear him down with experience and sheer commitment.
Magda is on the run because her mum won't let her take part in the strange pagan fire ceremonies they have back in her village. She has to stay in her room and settle for lighting far too many candles (which is possibly what got her 'grounded' in the first place). But as she lies in bed a thrilling idea occurs to the girl: can you have a pagan ritual all on your own? With your slip down around your waist?! Out in the barn, and without being seen??
Krutá lúbost (Martin Tapák, Czechoslovakia, 1978) (aged 30)
Taví zadok (Peter Mikulík, Czechoslovakia, 1979) (as Betty Medillová aged 31)
Dobrí ludia este zijú: S01E02 Part 2 (Peter Opálený, 1979) (as Olga aged 31)
Dobrí ludia este zijú: S01E03 Part 3 (Peter Opálený, 1979) (as Olga aged 31)
Dobrí ludia este zijú: S01E01 Part 1 (Peter Opálený, 1979) (as Olga aged 31)
Silvestr 1979 - Hrajeme si jako deti (Ján Rohác, Czechoslovakia, 1979) (as Self aged 31)
Listy Juliane (Luba Velecká, Czechoslovakia, 1979) not nude ✘ (aged 31)
# Temné slunce (Otakar Vávra, Czechoslovakia, 1980) (featuring Magda Vásáryová as teroristka Kris aged 32) ✭ ✭ ✭ ✭ ✭
with Radoslav Brzobohatý, Rudolf Hrusínský, Jerzy Kamas, Ludek Munzar, Nóra Németh, Jozef Adamovic, Vladimír Smeral, Günther Naumann, András Bálint, Lenka Pichlíková, Sándor Szabó and Jaroslav Radimecky
A clip from an underrated piece of Czech dystopianism adapted from a novel by Karel Capek, about the trials of a scientist who invents the ultimate explosive. Unfortunately this has to be just about the worst scene in it. Our hero is working late in the lab when Magda enters unexpectedly. And in the immortal words of The Sun newspaper, 'Underneath her clothing she is wearing little or nothing at all.'. Bad sex follows, accompanied by worse music. But hey, it's Magda!
Jennie Gerhardtová (Frantisek Chmiel, Czechoslovakia, 1980) (as Jennie Gerhardtová aged 32)
Der Wahnwitzige Genius: A. Skriabin (Petr Weigl, West Germany, 1980) (as Tatiana aged 32)
# Postriziny (Jirí Menzel, Czechoslovakia, 1981) (featuring Magda Vásáryová as Maryska aged 33) ✭ ✭ ✭ ✭ ✭
with Jirí Schmitzer, Jaromír Hanzlík, Rudolf Hrusínský, Petr Cepek, Oldrich Vlach, Frantisek Rehák, Miloslav Stibich, Alois Liskutín, Pavel Vondruska, Rudolf Hrusínský, Miroslav Donutil and Oldrich Vízner
The hero of this classic Czech comedy owns a farmhouse brewery and is married to Magda Vásáryová. The only slight concern to mar his wedded bliss is that he doesn't seem to know what his wife is getting up to half the time, and the lines of worry are beginning to show in his face.
Take the first clip. Magda sneaks out of the house one night to take a long languid bath amongst the brewing kettles of all places. It's not clear whether she's bathing in the fermenting beer itself or just the hot water runoff. I'm not even sure which I'd prefer.
In the second clip Magda has been making the most of a sprained ankle to live the life of a queen in bed. The family doctor (he's a very good doctor) is making the most of her condition too. Even though he's a specialist in chest complaints apparently.
The Turn of the Screw (Petr Weigl, West Germany, 1982) (as The Governess aged 34)
Malvína z Bretónska (Martin Hoffmeister, Czechoslovakia, 1983) (aged 35)
Die Nacht aus Blei (Petr Weigl, West Germany, 1985) (aged 37)
Noc smaragdového mesíce (Václav Matejka, Czechoslovakia, 1985) (as Slávka aged 37)
Alzbetin dvor: S01E06 Volanie vetra (Andrej Lettrich, 1986) (as Celesta de Liess rod Fabici aged 38)
# Tichá radost (Dusan Hanák, Czechoslovakia, 1986) (featuring Magda Vásáryová as Sona aged 38) ✭ ✭ ✭ ✭ ✭
with Jirí Bartoska, Jana Brejchová, Róbert Koltai, Erzsi Pásztor, Juraj Nvota, Maros Brachna, Ferenc Bencze, Iveta Kozková, Jitka Asterová, Eva Holubová, Darina Porubjaková and Arnost Goldflam
Dreary Slovak kitchen sink drama starring Magda as a depressed housewife who chucks in her husband for a younger model. Not a good start, but I suppose she can be forgiven for taking certain liberties what with her being a trained nurse.
Today we catch up with the couple at their rented cottage in the country, and see just what a transformation a new love affair can make in a woman. The rebirth of hope and attendant feelings of renewal! The casting aside of inhibitions! The ironing of skirts without the putting on of a new one first?! In the conservatory?? Granted that family were a bit priggish about it, but these things have to be kept in check, or the next thing you know it's bikini waxes in the greenhouse.
Our man has a subtle way of dealing with this form of nascent exhibitionism. He doesn't simply forbid Magda to stand at the window naked; that would most likely encourage her out of sheer contrariness. Instead he strategically places photographs of Victorian dignitaries on the walls where she will see them as soon as she hauls herself out of bed. Their stern collective gaze might make her self-conscious enough to think twice about it the next time. It works, to an extent, but I'd have expected better. One of those guys wears his top hat indoors and is a ringer for Dr. Cream, the Jack the Ripper suspect and stereotypical madman. I'm surprised the poor girl didn't hide under the bed.
Werther (Libor Dvorsky, Czechoslovakia, 1986) (as Sophie aged 38)
Lev s bílou hrívou (Jaromil Jires, Czechoslovakia, 1987) (as Calma Veselá aged 39)
Svet nic neví (Jirí Svoboda, Czechoslovakia, 1987) (as Jirina aged 39)
Velká filmová loupez (Oldrich Lipský, Czechoslovakia, 1987) (aged 39)
Prvé hlásky lásky (Lubomir Mihailo Kocka, Czechoslovakia, 1988) (aged 40)
Juzná posta (Stanislav Párnicky, Czechoslovakia, 1988) (as Mária Jurkovicová aged 40)
Svedek casu (Jirí Belka, Czechoslovakia, 1988) (as Luisa Zerdaheylová aged 40)
Zkrocení zlého muze (Marie Polednáková, Czechoslovakia, 1988) (aged 40)
Maria Stuarda (Petr Weigl, West Germany, 1988) (as Maria Stuarda aged 40)
Staroruzová dráma (Vido Hornák, Czechoslovakia, 1989) (as Matka predstavená aged 41)
Paní Berta Garlanová (Martin Kákos, Czechoslovakia, 1989) (as Berta Garlanová aged 41)
Súkromné zivoty (Dusan Hanák, Czechoslovakia, 1991) (as Elena aged 43)
Usmevy Usmevy Magdy Vásáryové (Pavel Vantuch, 1999) (as Self aged 51)
Eugene Onegin (Petr Weigl, West Germany, 2002) (as Tatyana aged 54)
Banánové rybicky Rodinné tradice (2007) (as Self aged 59)
Krásný ztráty Episode dated 11 December 2007 (2007) (as Self aged 59)
25 ze sedesátých, aneb Ceskoslovenská nová vlna (Martin Sulík, Slovakia, 2010) (as Self aged 62)
Vsechnopárty Episode dated 13 April 2010 (2010) (as Self aged 62)
Neobycejné zivoty Emília Vásáryová (Ondrej Kepka, 2012) (as Self aged 64)
22. Ceský lev (Michael Cech, Czech Republic, 2015) (as Self aged 67)
Film Adventurer Karel Zeman (Tomás Hodan, Czech Republic, 2015) (as Self aged 67)
23. Ceský lev (Michael Cech, Czech Republic, 2016) (as Self aged 68)
To Make a Comedy Is No Fun : Jirí Menzel (Robert Kolinsky, Switzerland, 2016) (as Self aged 68)
Takze tak!: S02E01 Welcome 2016 (2016) (as Self aged 68)
CzechMate: In Search of Jirí Menzel (Shivendra Singh Dungarpur, India, 2018) (aged 70)
CinéKino: S01E06 La Tchéquie et la Slovaquie (Matthias Luthardt, 2018) (as Self aged 70)
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