Home > Reviews > Crazy – Um Dia Muito Louco (Victor Lima, Brazil, 1981)

Crazy – Um Dia Muito Louco (Victor Lima, Brazil, 1981)

This is the kind of fluff I spend a lot of time watching but seldom seems worth the bother of reviewing. But this time why not? It’s an amiable bit of fluff if nothing else.

Our hero shoots his housemate dead (I don’t know why but the rat must have had it coming to him otherwise how are we going to identify with the protagonist?). He spends the rest of the film fending off a sequence of callers at the front door (tip for domestic murderers – always bury the body before you advertise his room in the paper).

The first knock on the door of any interest is from Belinda (Alba Valeria). She has what I call the Latin American Revolutionary look (at least until I can think of something more snappy (chic guevara maybe?)). She is soon stepping out of her “combat fatigues” and standing by the umbrella stand in her pants gabbling too fast to understand and making frantic hand gestures. I have a vain hope she is explaining herself.

Meanwhile next door there appears to have been a mix-up as two lads are photographing two naked young lovelies without any film in their cameras. Without even any cameras in fact! Oh dear, some girls are so naïve.

So that was sort of alright, who’s next at the door? We’re in luck, it’s Helena Ramos selling Bibles! And wearing glasses too – why can’t she always be so demure? Helena takes longer than the last one but eventually, after a certain amount of pantomiming with the corpse (sorry sick relative) from our hero, seems to have got the idea she can kip down in the hallway. So we have a shy striptease complete with old-fashioned girdle and suspenders. Nice but I wish she’d left her specs till last. And so it goes on.

This farce is fairly typical of the Brazilian sex comedy fare of the time, a shortlived genre called pornochanchada. Most were cheaply made using location filming and little if any support from original music, action sequences or special effects departments. Nevertheless at its best the results stand comparison with popular European cinema of a few years earlier. Jean Garret made sophisticated pastiche Euro-style psychodramas, while Ody Fraga developed an indigenous comic style of gentle absurdity. Crazy Crazy Day is cheaper and clumsier than the average, being essentially an old-fashioned farce set mostly in a domestic hallway, but has an innocent easy-going appeal.

Crazy – Um Dia Muito Louco clip with Helena Ramos

Helena Ramos in Crazy - Um Dia Muito Louco Helena Ramos in Crazy - Um Dia Muito Louco Helena Ramos in Crazy - Um Dia Muito Louco

Rating:   ♥ ♥ ♥ ♥ ♥ 2/5

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